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Full Movie Online Free Streaming in HDQ Format in any internet connected devices. Logan Lucky 2. 01. Full Movie, Logan Lucky 2. It’s is worldwide TV Channel coverage and no TV Streaming restrictions. So keep watching and enjoy your time. West Virginia family man Jimmy Logan teams up with his one- armed brother Clyde and sister Mellie to steal money from the Charlotte Motor Speedway in North Carolina. Jimmy also recruits demolition expert Joe Bang to help them break into the track’s underground system.

Complications arise when a mix- up forces the crew to pull off the heist during a popular NASCAR race while also trying to dodge a relentless FBI agent. Logan Lucky is a 2.

American heist comedy film directed, shot and edited by Steven Soderbergh and written by Rebecca Blunt. It features an ensemble cast consisting of Channing Tatum, Adam Driver, Riley Keough, Daniel Craig, Seth Mac. Farlane, Katie Holmes, Hilary Swank, Katherine Waterston and Sebastian Stan. In American movies — and maybe not only there — the idea of luck often functions as a euphemism for, and an antidote to, the effects of class.

In a land of winners and losers, where life is acknowledged to be unfair and positive thinking is all- powerful, we often find fault (or solace) not in our social structures but in our stars.“Logan Lucky,” Steven Soderbergh’s gravity- defying, ridiculously entertaining new film — one that ends a blessedly brief retirement from big- screen directing — concerns itself with a desperate attempt to even the odds. It’s a caper movie, a modern- day Robin Hood tale organized around an elaborate, improbable but curiously plausible heist.

A gang that includes a wounded veteran, an unemployed former coal miner, a hairdresser and other motley members of the noncoastal nonelite conspires to knock over a Nascar race sponsored by Coca- Cola. The event sucks a lot of cash from people like them, and the thieves quite literally set out to suck it right back up. That description might make the movie sound more pointed than it is. But Mr. Soderbergh’s class consciousness — something that has popped up often in his career, in “Erin Brockovich” and “The Girlfriend Experience,” in “Bubble” and, of course, in “Magic Mike” — is atmospheric rather than programmatic. Nobody in “Logan Lucky” utters a political word, but the setting carries a heavy, obvious charge of political significance all the same. The Logans in question are proud, hard- pressed residents of West Virginia, a state that, in the real world, punches far above its demographic weight in partisan and symbolic importance.

Their land is beautiful and their water is contaminated. The film’s anthem is John Denver’s “Take Me Home, Country Roads,” a hillbilly elegy if ever there was one. Not that Logan Lucky doesn’t pluck some low- hanging fruit — early on, we meet a couple of dim- witted hillbilly brothers throwing toilet seats in a modified game of horseshoes — but the film is far more interested in challenging our preconceptions than confirming them. The familiar, much derided commonplaces of white Southern culture like highway taverns and child beauty pageants are depicted as gathering places for community and perhaps sites of solidarity.

Even the American prison system — a world usually depicted as a microcosm of the country’s bitterest racial tensions — becomes a place where black and white unite for a common cause. First- time screenwriter Rebecca Blunt grew up in West Virginia where the film is set, so it’s perhaps understandable that the film has a decidedly optimistic slant. But it would be nothing without Soderbergh’s interpretation, and his clear affection for these characters brings to mind a low- rent version of an Oceans film. The title refers, ironically, to a down- on- their- luck trio of siblings who decide to turn their lives around when they hatch a plan to rob the Charlotte Motor Speedway. Channing Tatum (Magic Mike) plays Jimmy Logan, a divorced, unemployed coal miner and washed- up high school football champion. Adam Driver (Girls, Patterson) plays Clyde, a one- armed war veteran who tends the local bar, while Riley Keough (It Comes at Night) is Mellie, their hairdresser sister.

They enlist the help of a safe breaker called Joe Bang — a musclebound, tattooed inmate at the local prison played by Daniel Craig sporting a close- cropped platinum buzz cut. It’s a show- stealing performance from Craig, who moves with the poise and menace of a prize fighter, but isn’t beyond displaying flashes of bumbling slapstick. The set- up foreshadows a doomed American fable of loaded dice and working- class martyrdom, but something less predictable emerges. Logan Lucky is both a celebration of the American spirit as much as a critique.

Its wily embrace of certain aspects of American pride, if not nationalism, means that a scene featuring pop star Le. Ann Rimes belting out “America the Beautiful” to a packed crowd on race day is no less noble than the gang’s attempt to rip off the event. The film draws a line between a still strong belief in America as an idea and a disillusionment with America as an economy.

A handwritten note stuck to a wall in Jimmy’s trailer that reads “Don’t get greedy” is like a manifesto. It’s significant that the closest thing to a villain in the film isn’t Hilary Swank’s FBI agent, but a Jeremy Clarkson- like British celebrity played by an almost unrecognisable Seth Mac. Farlane in a moustache and curly wig. Elsewhere, people tend to be pretty decent.

That said, unlike recent examples of white working- class films like Hell or High Water, Logan Lucky is not a film beset by nostalgia. Even in a climactic scene when Jimmy’s 1. John Denver’s Country Roads to an appreciative crowd — who begin to sing along — the wistfulness of the lyrics soon gives way to the film’s otherwise forward momentum. Meanwhile, the fact Soderbergh’s camera finds beauty in the prosaic locations of contemporary semi- rural America proves there’s still something to sing about, if you only know where — and how — to look.