The Fall Netflix. Detective Stella Gibson continues to pursue serial killer Paul Spector, a battle that gets personal as they delve into each other's private life.

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Gibson tries to get Spector's surviving victim to remember him; after telling Gibson she'll never catch him, Spector returns to Belfast. Gibson realizes she has inadvertently put Rose's life in danger, and the police desperately search for Rose as Spector continues to roam free. Gibson orders extensive surveillance on Spector's family, while Spector invades Gibson's private world and relishes taunting and provoking her. Gibson is shocked to discover that Spector has been paying visits to one of his surviving victims in the hospital, and she finally locates him.

Spector is under surveillance, but his unpredictability causes problems for Gibson and her team, forcing her to confront the brutality of his crimes. Gibson's investigation leads her to Spector's lair.

Watch Full Box Office Movies Online, free download full movie in HD quality, full movie online streaming. Independent pathologist Beaumont Rosewood uses brains and cutting-edge technology to solve Miami's toughest murders with homicide cop Annalise Villa. Watch trailers.

A murder spree brings DSI Stella Gibson to Belfast, where she closes in on a pleasure-seeking killer while satisfying her own secret desires. The Fall: Season 2.

As they finally come face- to- face, both have a chance to look into the eyes of their nemesis.

THE BLACK DAHLIA MURDER Nightbringers. Trevor Strnad might just be the happiest death metal dude in America - at least if you catch him on tour. As a founding member and perennial mouthpiece for long- running Michigan- based melodic death metal outfit The Black Dahlia Murder, the jocular, bespectacled Strnad often finds himself in front of screaming hordes of metal fans, punishing his vocal chords and howling out bloody tales of gore and grievous bodily harm. His lyrics - culled from a lifetime worshipping old- school horror movies and classic death metal - drip with entrails and grave mold, as his bandmates (founding guitarist Brian Eschbach, bassist Max Lavelle, drummer Alan Cassidy, and newly- recruited shredder Brandon Ellis) slice and dice their way through the band's complex, bludgeoning compositions.

It's a sweaty, visceral vision of controlled chaos - and as the band's legions of fans already know (and Strnad's own perpetual grin makes clear), he loves every second of it. He and the rest of the band have quite a lot to be happy about. Their new album, Nightbringers, has smashed the band's previous sales records and made massive waves online thanks to a powerful response from their devoted fans.

The Obituarist, Strnad's underground metal column for Metal Injection, is chugging right along, racking up about 1. Strnad is rightfully delighted about - "That's insane for some of these demo- level bands!") and providing him with a platform to tirelessly advocate for the obscure and oddball bands he loves to hunt down in his scant free time. When I crossed paths with him last month, he'd just come off a music industry panel with Metal Blade's own head honcho Brian Slagel at Brooklyn's Rough Trade. The Black Dahlia Murder are about to hit the road on yet another headlining tour, supported by one of Strnad's own picks, Bay Area death fiends Necrot. Watch Power Online Flashx. There's a lot going on in Strnad's world right now, and his band seems to have hit yet another creative peak sixteen years into their bloodthirsty existence. All things considered, he's not doing too bad for a weird kid from Michigan who describes himself as "an alien."I wanted to pick his brain a little bit, and was pleased to have an opportunity to grill him on the darkness that lies beneath that big ol' grin. With the sound of a New York City night providing our soundtrack, Strnad and I sat down with a couple of drinks, and dug in.

Q: I can't imagine that there are any questions you haven't been asked at this point! How do you feel about doing all these interviews and press stuff around the new album? TREVOR: And getting the enthusiasm to say something for the ten thousandth time? Laughs] Right now, I'm so pumped on all this press, actually, with the excitement for the record, the pre- orders doing this record- breaking thing - it's blowing my mind, so I'm going so hard in that direction, taking everything I can, filling up my schedule at home.

I'll do interviews from noon to 9pm sometimes, just bulldozing them, and I'm thankful for each one right now, trying to spread the word and maximize on whatever this is - it's exciting! Those are basically day job hours.

How long has BDM been your main gig? It's insane to call it a job, even after this time; I feel so criminal calling it a job, because it's just the really awesome thing I get to do, is how I look at it. Since around Nocturnal, the third record, that was a big jump for us in terms of a lot of things; we got on Summer Slaughter when it was brand new, and huge, we were at the top of Vader, Katakylsm, Psycroptic, just a whole crop of death metal bands, and that was so exciting for us. I think that's a lot of people's first BDM record; if it wasn't Unhallowed, it was Nocturnal. It was a big time, there was a lot of press, and it definitely led us here, for sure. Something that caught my eye in the promo text for the new album was how you said that, when you were writing the lyrics, you were pushing yourself to find the desired level of horror and violence to the extent that you actually rewrote a few songs to make them even more brutal. What's the impetus behind that - why do you work so hard to find that darkness?

Well, to me, what I like about [death metal] is the gore, violence, macabre, and horror elements, and really, our most successful songs lyrically, that the fans have latched onto the most, are the most heinous ones - necrophilia, love that transcends death, that sort of thing. And I do mostly classic, traditional topics - 'Help, I'm stuck in a grave and can't get out!,' that was "Funeral Thirst." That's been done a million times, but I love tradition in metal; I love representing to someone new hopefully what I like about it, what still draws me in. Watch The Philadelphia Experiment Online Free HD. For me, it was all about the shock value of Cannibal Corpse and Broken Hope that really stirred my death metal pot in the beginning; Suffocation was my first band, but there was something about Cannibal Corpse, in the three- minute story- song of a Tales from the Crypt style horror story, a one- off episode, that really affected me. So I try to do that in a different way; I try to talk about the psychology of the character and their motives, and make you feel for the character, but I love the classic stuff. I have to stay the course in that way; I feel a responsibility.

And now your band has become a lot of other young people's Cannibal Corpse. Thats super heavy to think about it that way, because I love them so much, but it's a huge compliment! We've gotten older, obviously; we used to be sold as a young band, you know - 'Look at these kids playing this crazy fast music!' - so now, there's kids in the crowd half my age or less sometimes, who talk to me like I'm an old wizard.

It's different! But we've grown up on the road, basically, playing 2. By now, I've just accepted that pace, it's just a part of us, to be like go- go- go! I know when we're going to record the next six albums; it's the same time every year and a half, two years, like clockwork. Coming into the internet era, and acknowledging how music became disposable to people, compared to the collector's era, and when that door opened, everyone had too much of a good thing, like a kid with ketchup, just piling it on - you realize how oversaturated things are, especially now that you can make things at home with Pro.

Tools. So many bands exist right now. You could never meet the members of your band in person; you could do it over the web, and that enabled us to have Brandon, who lives out here; we have guys all over the place now, we have a bass player in Boston, and the other three are Michiganders. I remember not even dreaming, like 'How could you have a band where the members live across the nation?' but so many bands do that now, with Pro.

Tools demos, text message groups, taking responsibility for your own craft - you have to upkeep it on your own, because we don't practice weekly like a normal band anymore. Do you guys feel more pressure individually now as musicians? Yeah, for sure. We want to show up and be on the level. We'll play for a few days before we leave for a tour, we get together in Michigan, hash it out; everybody comes ready.

The drummer has a huge responsibility with upkeep; it's Olympic to do what death metal drummers are doing. So Alan, our drummer, is at the practice space all the time. I go there so little now because of this [arrangement], I don't remember the door code to get in [laughs]. You mentioned Brandon, who lives out here on the East Coast; how did you guys find him after Ryan Knight left? So Ryan Knight, our lead player was stepping down amicably; he told us a year and a half in advance, just to be the most bro possible and help us segue.

That was so huge and so nice of him, and we were like, 'This is on you, man. Who do you think is the guy?' and he's like, 'Well, Brandon's my number one.' They're very much cut from that same cloth of appreciating virtuoso guitar playing, tons of vibrato, 8.